Skip to content

Stars, Sieves and Stories

Scrying

Scrying was the art of telling the future by interpreting shapes or visions. The most common method was to gaze into a reflective surface such as a mirror, crystal ball, body of water, or even a polished fingernail. Other popular options were to study patterns in fire, smoke or clouds. Scryers might summon sprits to relay visions, or might interpret ‘natural’ patterns. Cunning folk might employ scrying to see the forms of people’s future spouses, or to identify thieves or witches in their localities. In 1570, Hugh Bryghan of Pentrefelin appeared in court at Denbigh. For the last two decades, Hugh had recited an incantation calling on the Holy Trinity and making a cross over a crystal stone in order to find thieves and stolen goods.1Stuart Clark and P. T. J. Morgan, ‘Religion and Magic in Elizabethan Wales: Robert Holland’s Dialogue on Witchcraft’, Journal of Ecclesiastical History 27:1 (1976), 31-46, at p. 43.

The astrologer William Lilly (1602-81) described several scryers, including a woman called Sarah Skelhorn who had ‘the best eyes for that purpose I ever yet did see’. She began her sessions by summoning angels with an incantation beginning ‘Oh ye good angels, only and only…’ Skelhorn in fact proved rather too good at her job; Lilly records how ‘the angels would for some years follow her, and appear in every room of the house, until she was weary of them’.2William Lilly, William Lilly’s History of His Life and Times, 2nd edn (London, 1715), pp. 228-9.

Sustained focus on a reflective surface will generate flickers of images for some people, and many scryers may have entered trance-like states, perhaps coming to see dreamlike successions of pictures. Naturally, though, some individuals were sceptical of the practice. In Hamlet (Act III Scene II), Shakespeare pokes fun at the human tendency to pick shapes out of nothingness:

Crystal ball owned by John Dee (1527-1608/9).3Science Museum, London.

Hamlet: Do you see yonder cloud that’s almost in shape of a camel?
Polonius: By the mass, and ’tis like a camel, indeed.
Hamlet: Methinks it is like a weasel.
Polonius: It is backed like a weasel.
Hamlet: Or like a whale?
Polonius: Very like a whale.

Depiction of clouds in a 1552 work.4Detail from illustration in the illuminated manuscript The Augsburg Book of Miracles (c. 1552), f. 45, Wikimedia Commons.

The story of John Dee (1527-1608/9) and Edward Kelley (1555-97/8)5Quotations from A True and Faithful Relation of What Passed for Many Yeers between Dr. John Dee and Some Spirits, ed. Meric Casaubon (London, 1659), pp. 11, *20; The Private Diary of Dr John Dee, ed. James Orchard Halliwell (London, 1842), p. 27.
Image citations:
1) John Dee in Ebenezer Sibley, A New and Complete Illustration of the Occult Sciences, part 4 (London, 1791), pp. 1098-9, Wellcome Collection.
2) Engraving of Edward Kelley (1659) after Francis Cleyn (1582-1658), National Portrait Gallery.
3) John Dee’s scrying artefacts, British Museum.
4) Michael Sendivogius (Sędziwój), the alchemist, demonstrating the art in the court of Rudolf II. Drawing after V. Brožik (1851-1901). Wellcome Collection.
5) Anonymous Portrait of John Dee (1527-1608), c. 1594. Wikimedia Commons.
6) Order signed by Emperor Rodolf II, ordering the arrest of Edward Kelley who had fled from Prague, 1591. Wellcome Collection.
7) Detail from Saint Jerome: he hears an angel blowing the last trump. Etching by J. Ribera.1591-1652. Wellcome Collection.

The cunning-woman Anne Bodenham, described here as ‘the witch’, shows a maid how she uses a mirror for scrying in a passage published in 1653.6Edmund Bower, Doctor Lamb Revived (London, 1653), pp. 2-3.

…the witch put on her spectacles, and demanding seven shillings of the maid … she opened three books, in which there seemed to be several pictures, and amongst the rest the picture of the Devil … with his cloven feet and claws … [then] she brought a round green glass, which glass she laid down on one of the books, upon some picture therein, and rubbed the glass, and then took up the book with the glass upon it, and held it up against the sun, and bid the maid come and see … and the maid looking in the glass saw the shape of many persons…

scrying mirror

Scrying mirror believed to have been owned by John Dee.7Science Museum, London.

Evidence given in the trial of Mary Alderman, accused of stealing a pair of silvery buckles from Charles Murrow in 1745. She was found not guilty.8Proceedings of the Old Bailey, 27 February 1745.

 I am the prisoner’s own mother. On the 19th day of January Charles Murrow sent for me, and wanted to speak with me; and desired me to tax the prisoner with having the buckles. He said, he had been recommended to a fortune-teller, and had described the person that had them, and told the colour of her skin, and the nature of her hair; and he said he saw the prisoner’s face in a glass very perfectly…